Wileyware Origin Story

Wileyware Origin Story

Many people ask….”How did you get started with glass?”

Well…the quick story is that a Brown University college friend of mine took a glass blowing class at the Rhode Island School of Design. I remember being so struck….that mortals, people I knew (and my friend as far as I could tell, wasn’t even all that interested in glass!) could learn about glass. This possibility had never entered my mind-truly it was a revelation.  I signed up for a semester of glassblowing, loved it, got an A plus and simultaneously thought…”oh no, I CANNOT waste my parents hard earned tuition money on something so frivolous as this!”

What Makes Me Tick? Marcia’s Artist's Statement

As a child I found my grandparents’ handmade marbles. I loved their visual surprises: the whole worlds contained within and the combinations of color and shadow that popped up with changing light.

Overnight, I was irresistibly drawn to glassiness: shiny bits of gravel on the sidewalk, garnets culled from beach sand, window prisms that cast brilliant colored beams, and reflections of icicles in the Berkshire Mountains where I grew up.

Marcia show pic_musing.jpeg

At Brown University, I majored in Geology-Biology. I was intrigued by how molten rock forms crystalline structures at the earth’s surface and by the treasures of fossil rock. The glassblowing class I took at the Rhode Island School of Design ignited my imagination about working with molten material. The many years of travel I subsequently undertook—living in India and Central America for five years—opened my eyes further to the incredible array of pattern and form in the natural world and the ways in which different peoples use glass as a functional and decorative material. In Seattle, the ever changing light and reflection on the water and mountains is a daily source of inspiration for mixing color and light within my glassware.

My goal as a glass artist is to create stylish drinking glasses whose look and feel delight the user. With different light, with different liquids, from different angles, Wileyware will please you; it will change color, sparkle, and reflect iridescence into beverages. The Wileyware team makes each glass at a studio in Seattle using traditional glassblowing techniques, which I learned at the Pilchuck Glass School and the Pratt Fine Arts Center. The dynamic kaleidoscope effect is created when layers of dichroic glass, featuring a mix of colors, shapes, patterns, and textures, are encased in clear glass at the bottom of each cup. I hope their use will create for you the wonderful “aha!” moment I had when I discovered my grandparents’ marbles.

Dichroic Glass: What the Heck Am I Looking At?

I remember vividly the first time I saw dichroic glass. It was 1990 and I was shopping at the Ann Arbor (MI) Farmers Market. I saw a sparkly pair of glass earrings that changed color. Not quite like a mood ring, something different…..“Whoa!” (says I), “What the heck am I looking at?”

I bought the earrings and wore them daily in grad school. They were made of dichroic glass (aka dichro) through a process invented for NASA in the late 1950s (though likely discovered by artisans as early as 4 A.D.). Glass artists, who are drawn to color and sparkly things like bees to nectar, had recently discovered the material and were using it in jewelry and blown glass pieces. Architects also seized upon the material’s creative potential.

The day I learned that I could work with this magical material was a happy day for me indeed. I set out to design a drinking glass that could act like a kaleidoscope, showcasing the color shifting abilities of the dichro and using water as a lens within the glass to toss the color around.

Dichroic glass is “dichromatic” meaning it produces two colors (one transmitted, one reflected) at once, depending on the angle of viewing. This surprising and beautiful color shifting property is also seen in the throat feathers of a hummingbird, peacock feathers, the mineral labradorite, a morpho butterfly wing, certain opals, and in the shells of many insects.

From Wikipedia: When light falls on a sheet of dichroic glass a series of dynamic interactions produce a phenomena known as destructive interference in which the reflected light becomes colored because some spectra are absent. The remaining light filtered through the dichroic coating is called the transmitted color. Further subtle color changes are seen if the angle of the viewer is shifted.

The material is made in a very expensive industrial vacuum chamber. Multiple ultra-thin layers of different metals (such as gold or silver); oxides of such metals as titanium, chromium, aluminium, zirconium, or magnesium; or silica are vaporized by an electron beam and condense on glass in the form of a crystal structure. A protective layer of quartz crystal is sometimes added. The finished glass can have as many as 30 to 50 layers of these materials, yet the thickness of the total coating is approximately 30 to 35 millionths of an inch (about 760 to 890 nm). By careful control of thickness, different colors may be obtained. To date over 45 colors of dichroic coatings are available.

I work with twenty or so different colors of dichroic coatings on clear, blue, green, black, and textured glass. One of the challenges of working with this material is that no two sheets of dichroic glass are identical and that there is variation within a single color. For example, the pink used in the “Glass of Comfort” can vary from a hot magenta to a blush pink to a periwinkle pink combo. However, you can expect the following color shifts to be seen in the main colors used in Wileyware:

“Northwest Vacation” Collection Colors

  • Emerald (purple/blue shift)

  • Purple (blue sometimes green shift)

  • Glacial Ice (silver/pale pink shift)

  • Blue (purple sometimes rose/green shift)

“Vacation at Home” Collection Colors

  • Tangerine (gold/silver/aqua color shift)

  • Magenta (aqua/gold/silver color shift)

  • Baja Blue (turquoise color shift)

  • Mint gold (turquoise color shift)

Funny story: When I was deciding on color names for my glasses, I asked customers for suggestions. The mint gold has a particularly otherworldly quality which women often described as being the color of a “potion.” Every single man I asked to describe it said it was the color of “trout”. Informally I now refer to that color as “Trout Potion No. 9” (with a nod to Herb Albert).

Wileyware: The Perfect Wedding Gift

Time and again, newlyweds tell me that my glasses are among their most cherished and frequently used wedding gifts.

Weddings & Wileyware

“These glasses are sensual, playful and alive!They are the perfect go-to wedding gift.” Sue L., Amherst MA., June 2019

Whew..... it's the season of wedding gifts galore. We did our largest wedding registry ever and had two contenders for the greatest number of sets ordered online! The record (eight wedding sets) goes to Jean of Olympia, WA, followed closely by Emily and Jeff of Seattle who ordered five!

Each pair of glasses is engraved around the base with the couple's name and wedding date. Some included a phrase from the couple's wedding vows or sweet words of advice for the years ahead.

It’s a joy to add these personal touches. I've heard that the bride and groom don't notice the shimmering glasses. However.......at some point..........after the wedding hubbub has died down, perhaps after the honeymoon or when they start using the glasses in a new place... ....they notice! A surprising moment of bonus delight is created that makes these extra special as a wedding gift.

Wileyware stands out as something couples use and enjoy everyday, unlike many of the random wedding gifts that people seem to get (Elvis clocks, wind chimes, steak knives, anyone?). Many couples have told me that these are their favorite wedding gift.

Each time they drink from their glasses, the bride and groom are reminded of those who love them.

Mazel Tov to the newlyweds!

Wileyware and Kids

“My brother and his family live in Seattle, and they gave us a set of 4 fluted glasses years ago - maybe 10 years ago or so for my birthday or Christmas. We always loved them and always found them beautiful, but in the past year it dawned on us that these glasses are actually good for our kids and great for our family to use. They are the right size for their hands, and now that they have grown out of the phase where we would worry about them dropping plates and cups all the time, we love to use these. In so many aspects of our lives we can't do "nice" things - our kids are too young to take to nice restaurants, it's not worth buying a new set of dining room chairs even though we desperately need a new set (because, while they don't drop, they do spill - all the time!). But these glasses are beautiful, and a joy to use, and they are sturdy and just right for our kids, too. It brings us great joy to use these - we literally use and wash and use these again 3 times a day. This is a "nice" thing we can do together as a family.” Sola T., Oakland, CA

I started making my drinking glasses when my son (now 17) was a toddler.

When you first learn to work with glass, you blow thick, chunky objects.

The glasses I made were just the right size for his little hands and I made more of them as gifts for my friends' kids. Glass is strong when it is blown thick, so I knew they wouldn’t break during the gravity testing phase of early child development!

Parents appreciate that the glasses are durable and that their children are not drinking out of plastic.

My son (and the other boys in his neighborhood posse) have been drinking out of these glasses (minis and water glasses) for years with only one broken glass in ten years. Children are wowed by the fabulous color shifting optics of these glasses.

Teenagers love them as well and a single tall glass makes a wonderful teen birthday or graduation gift.

Wileyware Carbon Footprint Action Plan

Our beautiful planet is heating up due to the burning of fossil fuels. I find two parts of myself in conflict: the part that has a master’s degree (UMichigan School of Natural Resources) in watershed education and the artist who creates lasting objects whose production is based on burning fossil fuels. Honoring water, another limited resource, through my glassware is somewhat of a reconciliatory bridge between these two parts. And I am deeply concerned about the carbon footprint of my household and glassmaking business.

Household

The average carbon footprint (greenhouse gas emissions of carbon dioxide and methane) of Seattleites is 17.052 tons according to the EPA. My two person household emits around 11,116 tons. I’ve done the easy things to offset our emissions:

  • Insulating my house

  • Upgrading to energy efficient appliances (hot water on demand)

  • Purchasing a monthly ($15) one-ton carbon offset (12 tons a year) through our local utility, Puget Sound Energy

  • Three large trees and many plants on my property

Yet—our household reality is that we drive gasoline powered cars and most of our appliances run on gas. I love to travel and my son and I make an average of seven round-trip flights per year (an additional 7.1 tons, bringing my household total to 18,256 tons).

Wileyware

The carbon footprint of my glassware is harder to figure out directly. My guess is that producing 1,200 glasses a year has a carbon footprint of 5 – 7 tons. Greenhouse gases come from:

  • Continuous gas powered furnace and reheating chamber

  • Travel to and from rental space (24 trips, 720 miles)

  • The production and transport of raw materials (clear/dichroic glass), and water jet cutting of glass circles

  • Packaging and shipping of the glasses

In my view, most glassblowers have not done an honest assessment of their production footprint in a way that results in behavior change. Teaching institutions that could take the lead on this are not. Less damaging equipment choices are available (electric melt and vegetable oil powered furnaces) but require motivation to invest capital and reconfigure shop space.

I do not want the production of my pretty glassware to have a negative impact. I am reminded of the Hippocratic Oath that medical students take: “first, do no harm”.

In thinking about my situation, I plan to:

  1. Build my own small glassblowing studio in 2022. I will use an electric (hydropower sourced) furnace that can be turned on and off. Transportation to and from a rental studio will be unnecessary.

  2. Donate a portion of annual Wileyware sales ($16 per set, $4/glass) to support the work of the following organizations:

    • Alternative /Sustainable Energy Production (8th Fire Solar) https://8thfiresolar.org

      This small native-run business produces high-quality, energy-efficient, solar thermal panels for heating homes and small businesses in cold regions.

    • Direct Carbon Capture (Climeworks) climeworks.com

      Climeworks develops, builds, and operates direct air capture machines to remove carbon dioxide directly from the air. The air-captured carbon dioxide can either be recycled and used as a raw material, or completely removed from the air by safely storing it.

    • Restoration of Wetlands (Restore America’s Estuaries) https://estuaries.org/bluecarbon

      Coastal wetlands capture carbon at rates 2-4 x greater than forests on a per area basis. Wetland protection and restoration are vital to reducing the impact of climate change.

    • Habitat Restoration (Earth Corps Seattle) https://www.earthcorps.org

      Corps members (ages 18 – 28) learn leadership skills by working collaboratively, leading community volunteers, and executing technical restoration projects along shorelines, trails, and in forests to improve the health of the Puget Sound region.

      After the yearlong program, these young leaders leave with the tools and skills to tackle the pressing issues of our time—including climate change, pollution, and ecological degradation—to create a better world for all of us.

Marcia’s Community Performance Art Projects

WTFeREE! Show N Tell Night (2018)

This “Just For Fun” project was inspired by my personal collection of objects that make one react with “WTF!” (in a good way…..) and followed from a talk I gave at Pecha Kucha Seattle in 2013.

I founded the WTFeREE! Society to bring general awareness to things that don’t make sense and collaborated with fellow Ballardite Lynn Reed and the Ballard Alki Lodge Independent Order of the Odd Fellows (IOOF) to hold five “Show N Tell Nights’ to showcase a particular genre of WTFeREE!. Our intention was to build community through humor by celebrating the quirky inexplicable objects and experiences that surround us. Each night featured exhibits and presenters who shared stories about their quirky wonders. It was a fun, participatory event and inquiring questions from the audience were encouraged.

Topics were:

  1. WTF is WTFeREE!?

  2. Natural Phenomena

  3. The Currency of Exchange: Money and More

  4. WTFeREE! On the Interweb

  5. Holidaze & Solstice Shenanigans

My collection of WTFeREE! is growing. Someday I hope to make a WTFeREE traveling exhibit in a converted vintage trailer.

 

Miss Direction’s Checker Cab Ride Service Project

Delight. Surprise. Play. Ritual. These are things that make my heart sing and that I bring to others. I thrive on experiencing and creating life’s “A-ha” moments. This is my passion and contribution to the world.

My mandate is to transform the mundane. As a glass artist, I make kaleidoscopic drinking glasses and color shifting jewelry. As a teacher, I teach children about the wonders of glass, lead adult creativity groups, and provide individual creativity coaching. As an enviro and lover of the natural world, I have a “Thank You Water’ project, and work on river restoration. As an artist/prankster, I have an occasional Thai restaurant, a phone booth in my backyard and lead “WTFeREE!” Show n Tell Night, a humorous event that builds community by celebrating the quirky objects and experiences that surround us.

My alter ego, Miss Direction, transforms the mundane with her complimentary ride service. She gifts rides to strangers waiting at the bus stop in exchange for hearing their life stories. She creates moments of unexpected delight and has given rides to people ages 15 – 89.

Her current project “Miss Direction’s Checker Cab Ride Service” is the restoration of an iconic ’67 Checker Cab to help bring everyday magic to Seattle, a city that is changing so rapidly that people are feeling a loss of connection to each other and their place. The Checker Cab will bring the Ride Service to a new level of visibility and impact and remind people that indeed Seattle is a place where the unexpected happens. Funding to restore the car came from a 2018 kickstarter fundraiser. The car will debut at the 2020 Ballard Syttende Mai parade (May 17th).

 

(the Mythical) NonThai Restaurant

When I first moved to Seattle, my favorite Thai restaurant was “Siam on Broadway”. Imagine my surprise when the restaurant on Capitol Hill folded and its neon sign was offered up for free on Craig’s list. How could I refuse? A crew of friends took the sign off the building and installed it on my studio as a piece of bright pink neighborhood bling.

Well, the idea came to me that there was fun to be had with my sign so I started hosting Thai dinners and pretending that my studio was in fact a legitimate restaurant. One thing led to another and soon I had a Yelp site with fake and highly favorable reviews posted by friends from across the land. The city of Seattle got wind of this and sent me a letter telling me I needed to license my restaurant or pay a $513 fine. A hair salon sent complementary haircutting vouchers for my staff! The shenanigans went on for several months with three dinner seatings and Yelp updates. One night a confused couple appeared at my front door looking for the restaurant. When I explained it was a pop up restaurant, they realized they’d been had. A few days later the Yelp site was gone . . .

The restaurant continues as an occasional restaurant that offers unexpected international dining with fine glassware in an unconventional studio setting. Infrequent sing-along entertainment is provided by the “Non Thai” dancer trio.